Learning Uncle Vincent (LUV).

I found another gem. This one has Danny Glover. He is playing a villain. Yes just like you I was surprised. I am much too accustomed to watching him alongside Mel Gibson. This time around is paired with Common and another young promising actor. Common in this role is dealing with life on this side of freedom and has the task of mentoring or at least guiding a young man who has been placed in his care. The snacks, the visit to the tailors, the time devoted to teaching the young man how to drive...and then perhaps the most important part of the encounter-visit the old neighborhood and a lesson never to show fear! There is another captivating scene much later in the movie where a gun is pulled on the two 'men' and the older 'goes off' on the younger for not having his back. You are left puzzled as is the younger man that his older companion views him as being old enough not to 'freeze on him'. Then you watch the progression and the manipulation, the scores and the back and forth between the new school and the old school. You watch the rituals around the dinner table...a brief transition from childhood to adulthood at which the young boy can now handle his own 'crab'. Very well done if you ask me!

May 16, 2016 at 3:05am · 

Privacy: Friends

The ticket-an exploration of the balance of power in human relations.

So I found a gem on one of our local Tv stations. It is called the ticket. In it you will see the ideas behind man relations and the delicate balance of power upon which many of us base our activities. 

While the film is based on blindness, the disabilities upon which these power levers exists are many and varied. One does not necessarily have to be that disadvantaged to see the effects and experience the results of a power play. One need only on a personal level have some sort of perception issue. Whether it is education or personal belief, if at some point your partner has an edge over you, they will rule over you. No matter how subtle the expression of this lordship is it exists and will determine the manner in which you relate to others and how they relate to you. 

In a sense many of these effects are a kin to a sense of blindness which is why there is a mastery sense to this motion picture. The moment he receives his sight everything changes. And that is really what knowledge is all about. A new education, a new skill, a new ideas, the revival of old dreams. These concepts are all about an opening of the eyes and the change in perception that has the potential to cause a dramatic effect in ones life and the lives and relationships that constitute that life. 

All of a sudden the enlightened one sees and has to deal with two things. What they did not see in the past and what they now see and perceive with a set of new senses. The sense of trust is probably the toughest thing to deal with. What did I miss what was kept from my sight to protect me? And why? Maybe this is the test of freedom? What will you do now that you no longer have to deal with the limitations of your disability? 

What can you now do with the idea of your new found independence? Relating to those whose task it was to keep you is no longer the same. They now have a new identity that will be defined outside of you and your care. How will you relate to those who were in the same boat? 

What If after your moment of liberation you lost the love of those who were once dear to you? This probably happens because they are more accustomed to dealing with you in your disability or your lack of illumination. It is strange but some people draw their identity from your weaknesses and their defense of their trade and position is based on the darkness that you hold. 

Queens, Kings, Ghettos and Federations.

Queen of Katwe

Finally got to watch the movie courtesy of one of our local TV stations and all that at about
5AM!
As a chess enthusiast it was a blast watching on camera some of the lessons that i had attempted to glean from life.

Lupita N'yongo the gorgeous attractive
IVY league actress from Kenya was in this
one too (she takes on the role of mother). I did mention her in some previous posts probably saddened that we were having difficulty putting away a fraction of our collective history. Frustrated that there was a smart core of people who were causing us to pay undue attention to certain parts of our lives by heaping praise and awards onto these specific subjects.

It is a great tale nonetheless. A journey that chronicles the life of a young talented girl-Phiona Mutesi (played by a new comer with plenty of promise-Medina Nalwanga) and her mentor/teacher Robert Katende (played by David Oyelowo) who discovers her skill at a strategy game and uses it to make some major moves from poverty
to prominence.

The movie gives you a glimpse into family life and the struggles a
single mother has to go through to raise her daughter. The
older sister and her tough decisions to make it out of the same
rutt and the moral questions that challenge both mother and
daughter. We get an insight into the difficulties that go with
life in a modern slum. The punishing rain that often destroys
makeshift homes. A blessing to some but a curse to many others.

We see distinct differences between the ghetto (a word that we
thought was banished in history somewhere in Poland) life and
a life of relative affluence in a historic school reserved for the sons
and grandsons of Chiefs. There are interesting battles between
those who make up these two worlds, battles which will often
play out in life in a setting that is clearly very stratified.

Life lessons are plenty in a manner only often familiar with third
world kids where humor and education and life are all meshed
up in a complex mix.

Watch as the mother struggles to deal with a child that has tasted of the better life and now has to return in submission to an older wiser woman although at this point the daughter feels like she has bypassed her.


Perhaps the most interesting part of the movie is the subtle use of
affection between young attractive student and older married
teacher and the use of the term queen which she (the student)
uses to mazimum effect when she keeps the queen piece of the
board which she shares enthusiastically and playfully with her
mentor/King.

The use of local settings and regular everyday occurrences such
as the market places, the motor cycle, the hospital visit and the
untimely exit, the flash floods, the dance, the songs that are sung while on the way to school in a minivan as well as the choice of
dark dull colours contrasted with the beautiful garments that are worn
by residents maybe as an insulation against the sheer 'starkness'
of some of the conditions in which thet live. Directed by Mira Nair (responsible for Missisipi Masala) https://en.wikipedia.org/wiki/Mira_Nair

A good presentation if you ask me.

The believer (2001).

A modern day tale that deals with the complex question of anti-semitism.

The protagonist grows up in an age that has to deal with the residue of Hatred that dates back to an earlier and more unfortunate time. He is a strong advocate for faith but has clearly grown up in a tough neighborhood. He finds it hard to reconcile his emotions to the challenges of the day and has to learn how to be strong and weak at the same time. We walk back and forth from his early years at the Jewish school where he begins to question everything to the point of being thrown out of his class. He then continues to bounce back across two extremes where he learns to balance his hatred for his foes with his loathing towards himself and his community for not 'resisting' enough. 

There is a memorable scene when he is sent for 'rehabilitation' and has to confront a group of survivors for not fighting hard enough for their children. He develops a live interest while exploring the limits of his truth and learns gradually to separate between his obvious love for the written law and the innocent questionings of his attractive young suitor. I am certain that I have had plenty of opportunities to watch Mr. Goslin work but that in my view is a representation do some of his best work. 

The believer is really anyone including the oppressor that stands by and does not say a word even If his conviction tell him what he is doing is right. The believer is also the oppressed that does nothing to oppose what he sees as wrong. 

It is an exposition of fear and the attempts to deal with it in all it's forms. 

And in its transformative nature wins a thumbs up from me! 

The Fan (1996)

It is essentially about an aging man (played by Robert De Niro) with an obsession for the game of baseball. Strictly speaking this is every American...at least a very large proportion of  the population. It is after all America's favorite pass time. All this takes place around a very busy life in the East Coast. 

You watch him relax for a game at the Stadium and are drawn into his family life. As fate would have it, the busy father has a young adorable son and a struggling marriage. Payments to take care of, custody issues and all the drama that goes with the struggle to make ends meet. 

His love for the game draws him into an equal 'affection' for the star player (Wesley Snipes). 

You are almost certain that there is some insulation that protects the star from the crowd and the possibility that outsiders might at some point perceive him to have sold the game. So you watch the emotional outburst and the arm chair coaching-or in this case the side line coaching and cringe with despair as the older man squeezed at home for his failures attempts to make up for these loses with the one thing he shares a passion for with his ailing son. 

With all the tension that follows and the challenges that are presented to the players and the rest of the team, there is one scene that stands out for its particular peculiarity. 

The aging struggling father (who just happens to also be a sales person for cooking Knives) is sitting in his hotel room waiting for calls or just really passing time. Outside his room, a man dressed in black with characteristic locks in his hair and a beard passes by the motel. He for some reason is also carrying a dog (pooch). The sales man and protagonist notices a cockroach in his wall. He grabs one of his sharpened knives and throws it nailing the brown winged creature to the wall. 

Not certain what the writer or director was trying to say but so I will just leave that there. 

The person we admire lives in a divine place in our hearts and when they fail at being 'god' the effects on us can be devastating. When everything seems to go wrong the only refuge he has is in his team and his star. His encyclopedic knowledge of the game, his sense of feeling and the hurt he has to go through as his home life collapses. His sense of ownership of the game. His continue belief that his faith in his team is his new life. The feeling that he cannot be ignored by people that he has invested in and watched all his life. 

Plenty to think about and reflect on and yes a big thumbs up from this side of criticism. Transformative and eye opening. 

Life eternal and A.I

Ah the South Africans have done it again. This time around in an amazing commentary about Artificial Intelligence. The movie is set some time in the future in a South Africa not too dissimilar from the present state. Advancements in science have brought about an merger between technology and the fight against crime. An industry has emerged that now allows Robots to manage crime and to handle some of the less savory elements in the city. 

After a failure in one of the invisible systems, one of the engineers finds a breakthrough that could allow him to transform the mechanical character of his bots. He is forced to capture the abandoned robot in order to test out his theory in a safer place. Unfortunately he is intercepted by a group of opportunists who 'request his services'. He puts the robot back in its old form with new software that essentially allows it to blur the lines between human and machine. The new bot is now similar to a young child and has to learn everything from scratch. 

Its new masters are keen to use its strengths for their crimes and this causes a decent into some humor and madness. 

As the interface between human and robot grows thinner, it becomes possible to control the robots using a human connection. 

The audience is drawn in as the different human elements attempt to leave their mark on the Robot and as it delicately begins to grapple with the ideas around what it means to be alive and consequently what it means to die. We watch as the machine begins to develop a personality of its own. 

With the skill and I dare say mastery that was demonstrated in projects such as District 9, the director and writer draw us into the South African psyche with rich vibrant characters foreign and local complete with thick boer accents.

The plot thickens when interruptions are made in the functions of the whole machinery of crime prevention. 

Watch as the characters make us of the human interface and begin to challenge ideas around eternal life and artificial intelligence. 

Another candidate for the intersection awards.

Choice Pics from the past-One Summer Love.

Susan Sarandon's plays a character who creates an unlikely alliance or friendship with a troubled man (Beau Bridges).
He has a history of instability but is keen to reconcile himself with some of the tragedies in his past.
We see him in all sorts of settings trying to heal himself with his companion (nurse and friend) by his side patiently trying everything in her power to help him.
He finds a job, and is seen dealing with a complex demolition task-which he handles with much skill to the chagrin of his boss who almost fires his insane worker for attempting to deal with such a risky task.

We see in this scene that strange marriage between genius and insanity. As a man manages with quite a lot of ease to take down a complex frame in an old structure while sitting on it!

In another occasion he comes to the rescue of his companion whose former lover makes a come back and taps into his anger to frighten away the seething man. Bridges takes a hold of a chain and begins to maniacally pound the side of the pick up truck with it. The jilted lover realizing what he might have to deal with has a quick change of mind.  

He finally gets to meet his mother. This time around he has to deal with the idols and the art with which she has chosen to surround herself.
Subtle references to to the church and the image of the heavenly mother without fault but perhaps in his case the cause of some of his mishaps.

Watch how he negotiates and has to deal with his past maternal relationship (with some violence directed to the images) and then how he transitions to his new found love. A story which in my view many men have to deal with. Something akin to Freud's thoughts.

All this taking place in a rich southern backdrop of dense greenery and winding roads (an apt metaphor for an uncommon subject).

A definite thumbs up from me. An award for its ability to deal with the complex subject of mental health and healing.

Directed By Gilbert Cates and Written by Richard Nash